This series of The Sound of the Hound ends with an interview with Giles Martin, the Grammy-winning record producer and son of Beatles producer Sir George. With this episode it feels as though we’ve come full circle: Giles was there at the plaque unveiling that we featured in the first episode of the series. And his family has a direct connection to that Maiden Lane studio where it all began.
Dave and James talk to Giles about his career to date, from the early days working with Britpop bands to his big breakthrough creating the music for the Beatles-themed Love show in Las Vegas (his inspired mash-up of Within You Without You and Tomorrow Never Knows sounds like The Chemical Brothers). They talk about how production techniques have changed over time and how technology continues to alter the way music is consumed and understood. The interview takes place in Giles’s state-of-the-art studio (and we’re talking incredible) and so it’s hard not to make comparisons between today’s recording kit and the cumbersome acoustic gear that Fred and his buddies lugged around the world just over 100 years ago.
Which takes us to the Martin family link to The Gramophone Company and EMI, as it was later known. Talk about six degrees of separation. If it wasn’t for Fred, then the Maiden Lane studio wouldn’t have got off the ground. If it hadn’t got off the ground, then the City Road studio wouldn’t have followed, and neither would Abbey Road, which was opened in 1931. Without Abbey Road, Giles’s dad George wouldn’t have got a job out of the Guildhall School of Music, and without his father being in Abbey Road there probably wouldn’t have been The Beatles. So you can trace a direct line from the exploits of Fred to the greatest and most important group of all time. Without one, there wouldn’t have been the other.
James, Dave and Giles talk a lot about The Beatles, inevitably. Not only about the 50th anniversary editions of Sgt. Pepper’s Lonely Hearts Club Band, The White Album and Abbey Road that Giles remixed, but about how John, Paul, George and Ringo clicked. They talk about Beatles ‘what ifs…’ and try to get to the bottom of the mystery of the box of instruments that – we think – directly links Fred to Yellow Submarine.
There’s so much more. Giles talks about working on the Rocketman film, on which he was music director. We discover just how you teach someone like Taron Egerton to sound like Elton John. We hear about The Rolling Stones. Giles recently remixed The Stones’ Goats Head Soup album: how did their approach to recording differ to the Fab Four’s? But, most memorably, Giles talks movingly about his father, his work and his great legacy.
We hope you agree that this episode is a fitting end to the second series of The Sound of the Hound. If you’ve enjoyed it, please spread the word. See you soon.
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